Symposium”Analysing Interpretations Performance Analysis Tools and Analyses of Tempo Rubato”
Date：December 8, 2024（Sunday）12:00〜18:00
Place： Nakanoshima Art Center “Studio”(Osaka University Nakanoshima Center) 3F
4-3-53 Nakanoshima, Kita-ku, Osaka, Japan
Language：Japanese & English
Part Ⅰ: Current Development of Performance Analysis Tools［Moderator：Akiko Washino］
Welcome and Introduction
Yucong Jiang（University of Richmond）
Performance Precision: Computer-assisted Annotation and Analysis of Music Performance
Eita Nakamura（Kyushu University）
Automatic transcription and alignment for analyzing piano performance
Kaito Into, Kunio Yamamoto, Masaki Oshita（Kyushu Institute of Technology）
Comparative Analysis Tool for Piano Performances Utilizing the Speed Deviations
Kenta Okumura（International Professional University of Technology in Nagoya）
Statistical techniques for modeling individual-dependent features in music performance
Craig Stuart Sapp（Stanford University, Computational Musicology）
Duple Meter in Chopin Mazurkas
Q&A
Part Ⅱ: Analyzing Tempo Rubato Practices through Performance Analysis［Moderator：Nobuhiro Ito］
Mai Takahashi（Japan Society for the Promotion of Science）
The role of school trees in the formation of performance: Bach's “Chromatic Fantasy and Fugue” as case study
Yasushi Ueda（Kyoto University）
Constructing Chopinesque Interpretation: Tempo Rubato Practice by Camille Saint-Saëns and Raoul Pugno
Akiko Washino（Fukuoka Prefectural University）
Chopin's 'Tempo Rubato' embodied in the performance of Francis Planté (1839–1934)
Hermann Gottschewski（Tokyo University）
Time structure in performances with ambiguous beats: Focusing on bars 12 to 18 in Reger’s own performance of his Humoresque op. 20/5 in G minor (Welte Mignon roll no. 1017, recorded on December 8th, 1905)
Q&A
Part Ⅲ: Discussion［Commentator ：Nobuhiro Ito (Osaka University)］
Organizer：JSPS Grant-in-Aid for Scientific Research (B)
Analysis of Tempo Rubato through the interpretations of early 20th century historical performance using piano rolls. (2022-2027, Principal Investigator: Akiko Washino)
Grant: The Musicological Society of Japan
Support: Osaka University Musicology Laboratory
Contact：washino@fukuoka-pu.ac.jp
Welcome and Introduction
Yucong Jiang（University of Richmond）
Performance Precision: Computer-assisted Annotation and Analysis of Music Performance
Eita Nakamura（Kyushu University）
Automatic transcription and alignment for analyzing piano performance
Kaito Into, Kunio Yamamoto, Masaki Oshita（Kyushu Institute of Technology）
Comparative Analysis Tool for Piano Performances Utilizing the Speed Deviations
Kenta Okumura（International Professional University of Technology in Nagoya）
Statistical techniques for modeling individual-dependent features in music performance
Craig Stuart Sapp（Stanford University, Computational Musicology）
Duple Meter in Chopin Mazurkas
Q&A
Part Ⅱ: Analyzing Tempo Rubato Practices through Performance Analysis［Moderator：Nobuhiro Ito］
Mai Takahashi（Japan Society for the Promotion of Science）
The role of school trees in the formation of performance: Bach's “Chromatic Fantasy and Fugue” as case study
Yasushi Ueda（Kyoto University）
Constructing Chopinesque Interpretation: Tempo Rubato Practice by Camille Saint-Saëns and Raoul Pugno
Akiko Washino（Fukuoka Prefectural University）
Chopin's 'Tempo Rubato' embodied in the performance of Francis Planté (1839–1934)
Hermann Gottschewski（Tokyo University）
Time structure in performances with ambiguous beats: Focusing on bars 12 to 18 in Reger’s own performance of his Humoresque op. 20/5 in G minor (Welte Mignon roll no. 1017, recorded on December 8th, 1905)
Q&A
Part Ⅲ: Discussion［Commentator ：Nobuhiro Ito (Osaka University)］
Organizer：JSPS Grant-in-Aid for Scientific Research (B)
Analysis of Tempo Rubato through the interpretations of early 20th century historical performance using piano rolls. (2022-2027, Principal Investigator: Akiko Washino)
Grant: The Musicological Society of Japan
Support: Osaka University Musicology Laboratory
Contact：washino@fukuoka-pu.ac.jp